PRODUCTION CREDITS
Capricorn Stage Directions has been established in the United
Kingdom for 15 years to great acclaim. Previous productions include: |
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Tears Before Bedtime
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A sparkling array of characters in this witty one woman show.
- Time Out |
This is a thought provoking piece. Karen Cooper's performance is
totally absorbing.
- The Scotsman |
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| Creditors |
This black comedy is a traditional presentation worthy of as much
praise as an engrossing and well acted drama, sure to stir conversation.
- Whats On |
A realistic study of heterosexual love hate - beautifully performed.
- The Guardian |
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| Latin! |
A work with powerful impact.
- The Daily Telegraph |
Good laughs, moments of verbal brilliance.
- City Limits |
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| The Human Voice |
One of the most exciting and emotional plays I've ever seen.
- Harold Hobson |
Ms. York rises triumphantly to the occasion.
- The Guardian |
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| Beached |
Savage, luminous and tender.
- John Peter, Sunday Times |
Michael Pavelka's alien shoreline and Celia Bannerman's direction
never strike a false note, matching perfectly the authenticity of
Mr. Hood's text.
- The Observer |
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| Cloudburst |
A Sensitive performance from Karen Cooper - touching, attractive
and complex...believable and engrossing, holding our sympathies as
the tone grows darker.
- The Stage |
The emotional force between Karen Cooper and John Fairfoul creates
an electric atmosphere.
- TNT |
Karen Cooper is a sexy petulant tease in tight shiny black trousers.
- Time Out |
Karen Cooper and John Fairfoul play out this tightly-written two-hander
with convincing chemistry. They are fresh, lively and entertaining,
performing a clever narration with a great balance of poetic reflections...funny
and passionate.
- Camden New Journal |
Layered performances from Karen Cooper and John Fairfoul make this
a 'must see'.
- Hampstead And Highgate Express |
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| Intimate Exchanges |
This acting duo make the most of his script...Undoubtedly Pick of
the Fringe
- The Mail |
Critics Choice. An Alan Ayckbourn work gets exquisite treatment
in this award-winning production.
- The Edmonton Journal
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